Diego Paszkowski

Argentina

© Fátima Murphy

 

 

Diego Paszkowski, born in Buenos Aires in 1966, is the director of various writing workshops for young people at several cultural institutes in Buenos Aires, lectures at the University of Buenos Aires and writes for various newspapers, including Clarín and La Prensa del Sur.

 

Tesis sobre un homicidio (“Thesis about a Homicide”): The lawyer Paul Besançon, having completed his studies in Paris with excellence, returns to Buenos Aires, where he attends a course given by a famous criminologist. The novel tells a thrilling story of the perfect crime, conceived by this cool and arrogant young man who indulges in discussions with his teacher on the most complicated legal niceties. For enthusiasts of legal complexities, this is a crime story par excellence, but also a fascinating and in-depth literary study of the human soul. Tesis sobre un homicidio was awarded the prize of the daily newspaper La Nación in 1998.

Two years later Paszkowski published his second novel, El otro Gómez (“The other Gómez”). One day the bank official William Efraín Puente is abducted and forced to live the life of a certain Gómez. There is little sense in him insisting on his real identity, so he finally succumbs and takes the place of Gómez. Who would not like the chance to lead someone else’s life? The reader follows Gómez in awe into his new life where some indefinable threat seems to lurk. And yet the structure of the story is such that the reader simply cannot put down the book until the altogether compelling end, when real Gómez turns up.

With Alrededor de Lorena (“All About Lorena”) Paszkowski departs from the crime genre and seduces the reader into the realm of poetic prose. The title character is the middle class woman Lorena, who had always dreamt of getting married, while her husband, Ricardo, did not find the trip to the registry office quite so easy. They then embark on normal married life and have two daughters. The unexpected turning point comes when they take the trip to Paris that Lorena had long desired, with Ricardo only braving his fear of flying with difficulty. When he suffers a panic attack during a stop-off in São Paulo, she continues her journey and falls in love – on the steps of Montmartre – with Gerard, a Frenchman. Lorena’s decision to divorce her husband leaves his world in tatters.

Ricardo loses the power of speech and spends two years in a psychiatric clinic, where he is cared for an attractive nurse with a blond wig – Lorena? Later, he looks for work and a roof over his head, and finds both as a proofreader in a publishing house, never leaving the building. He has a humiliating relationship with the manager of the publishing company, at the outer limits of human dignity and sexual lust. But, once again, the woman appears to be none other than Lorena…

With elements reminiscent of director David Lynch or writer Herman Melville, this multiple-voiced and experimental novel leads the reader into a labyrinth of passions, driven along by the question of the hidden desires and identities concealed within us – and how far we are prepared to go to fulfil them.

Tesis sobre un homicidio, the first novel by Diego Paszkowski, is a book which easily places him amongst the best narrators of young Argentinean literature.

Vicente Battista, CLARÍN

 

I have no doubt that he is a genuine writer.

                                                                                     Adolfo Bioy Casares


Paszkowski brings new life to Argentinian storytelling, and that’s something we haven’t seen for some time now.

Tomás Eloy Martínez

 

Paszkowski’s novels are not just good – they are very good.

Luis Sepúlveda

 

 

I shouldn’t so much congratulate him as thank him for the pleasure of reading his work.

 

Justo Navarro

 

Visit the author’s website:

www.paszkowski.com.ar

 

 

Original editions and rights sold:

 

Novels:

 

Tesis sobre un homicidio, Buenos Aires: Sudamericana 1999, 206 p.

Buenos Aires: Ediciones Debolsillo 2007

Film rights under option

Italy: Fanucci 2004 Portugal: Ambar 2003

 

El otro Gómez, Buenos Aires: Sudamericana 2001, 175 p.

Portugal: Ambar 2004

 

Alrededor de Lorena, Buenos Aires: Sudamericana 2006, 286 p.

 

Anthologies:

 

Mas y mejores cuentos, Eudeba 2000, 345 p.

 

Nuevas Narrativas, Buenos Aires: Sudamericana 2002, 251. p.

 

For children:

 

El día en que los animales quisieron comer otra cosa, Buenos Aires: Alfaguara 2009, 32 p.